Sculptures

BEFORE THE ACADEMY OF FINE ARTS

Bust of a Young Man, 1969
Stone, about 40 cm high
Place of origin: Hvar/its current location: Hvar

Christ (head), 1970
Clay, about 30 cm high
Hvar/Zagreb, owned by Gordan Novak

Small Female Nude, 1970
Clay, about 20 x 10 x 7 cm
Hvar

DURING THE STUDY AT THE ACADEMY OF FINE ARTS (1971 – 1976)

Still Life with a Doll, 1971
Aged plaster (relief ); about 40 x 40 cm
Zagreb (AFA)/Hvar

Solitude; 1971
Aged plaster (relief ); about 50 x 35 cm
Zagreb (AFA)/Hvar

Head (Peruško Bogdanić), 1971/1972
Aged clay, about 40 cm high
Zagreb (AFA)/Split

Male Torso, 1972
Clay, about 150 cm high
Zagreb (AFA)/not preserved

Portrait of Mrs. Ivanka, 1973
Aged clay, about 30 cm high
Zagreb (AFA)/Split

Female Torso, 1974
Clay, about 150 cm high
Zagreb (AFA)/not preserved

Bust of a Woman, 1974
Painted clay, about 35 cm high
Zagreb (AFA)/not preserved

Kinderspiel, 1974
Painted card, about 30 x 40 x 20 cm
Zagreb (AFA)/not preserved

Portrait of Drago Ivanišević, 1975
Crushed paper and paint; about 45 cm high
Zagreb (AFA)/not preserved

Portrait of Drago Ivanišević, 1975
Papier mache, painted, about 50 cm high
Zagreb (AFA)/Zagreb (inheritance of D. Ivanišević)

Situation, 1975.
Card, paper, wire and cellophane; 50 x 100 x 30 cm
Zagreb (AFA)/Split

Barun Cosimo Piovasco di Rondo and Sofonisba Viola Violante d’Ondariva, 1975/1976
Wood, polyester, wire and paint; 73 x 38 x 72 cm
Zagreb (AFA)/Split

You are my shore (relief), 1975/1976
Paper and paint; 70 x 70 cm
Zagreb (AFA)/Hvar

The Last Evening Dance on Galešnik (collage), 1976
Paper and paint; 15 x 20 cm
Zagreb (AFA)/Zagreb (M. Bešlić)

The Final Beach, 1976
Wood, paper, polystyrene and paint; 50 x 30 x 30 cm
Zagreb (AFA)/not preserved

Seven Deadly Sins, 1976
Laminated and painted cardboard box and string (7 elements);
50 x 76 x 400 cm

Marina, Marina, 1976
Polyester in colour, stone, wood, glass and light; 60 x 60 x 25 cm
Zagreb (AFA)/Split

AFTER THE ACADEMY OF FINE ARTS

1977

“O Cosme, we have wonderful trees there”, 1977
Painted plaster, 47 cm in height
Zagreb (studio in Dalmatinska Street)/Split

Floral motive, 1977
Painted sponge and wood; 77 x 47 x 48 cm
Zagreb (studio in Dalmatinska Street)/Split, Art Gallery

Here the Sea Sweats Bloody Sweat, 1977
Polyester in colour and glass; 80 x 80 x 8 cm
Zagreb (studio in Dalmatinska Street)/Sculpture Museum, Croatian
Academy of Arts and Sciences HAZU, Zagreb

Three sculptures: One for Viola, one for Clelia, one for Lolita, 1977
Wood, polyester, and paint; 80 x 30 x 30 cm
Zagreb (studio in Dalmatinska)/ Zagreb, Contemporary Art Museum

Summer 1977
Wood, plexiglass and paint; 50 x 60 x 15 cm
Zagreb (studio in Dalmatinska Street)/Split

Winter, 1977
Plexiglass, wood, and coloured water; 100 x 60 x 60 cm
Zagreb (studio in Dalmatinska Street)/not preserved

1978

From Nature, 1978
Painted plaster, 50 cm in height
Zagreb (Ilica 142)/not preserved

1979

Afternoon Rest, 1979
Coloured polyester, 24 x 20.5 x 18 cam
(there is also a large one about 50 cm high)
Hvar/Split

Marcabruno’s Poem, 1979
Painted wood; 48 x 26.5 x 19 cm
Zagreb/Split

The Seasons, 1979
Gilded wood (4 elements); about 61 x 115 x 3 cm
Zagreb/Split

The Sermon of St. Anthony of Padua to the Fish in Rimini, 1979
Polyester in colour; 33.5 x 28 x 25 cm
Zagreb/Split, Art Gallery

From Memories (relief), 1979
Polyester in colour; 69 x 54 x 4 cm
Hvar/Split

1980

Nostalgic note, 1980
Baked clay; 21.5 cm in height
Split/Split (there are two copies)

The Shadow of the Statue, 1980
Painted wood; 33 x 22 x 13 cm
Hvar/Split

The Secret, 1980
Gilded wood, about 25 cm high
Zagreb/Split

From my Homeland, 1980
Painted plaster; 28 x 26 x 33 cm
Hvar/Split

An Epistle to Mavro Vetranović, 1980
Plaster; 27 x 18 x 14 cm
Hvar/Zagreb (or Murer, owned by I. Šimat Banov)

Statue of Light, 1980
Glass; 21 x 15 x 9 cm
Murano – Venice (Italy, Vetreria Aldo Nason)/Split

The First Day, 1980
Coloured glass with silver; about 25 cm in height
Murano – Venice (Italy, Vetreria Aldo Nason)/Zagreb,
owned by Dr. Šimunić?

One Fresh Day, 1980
Stained glass; 20 cm in height
Murano – Venice (Italy, Vetreria Aldo Nason)/Hvar (Palmižana)
owned by D. Meneghello

1981

The Arrival of the Well-known Girl, 1981
Painted wood; 41 cm in height
Hvar/Zagreb, owned by Igor Zidić

St. Joseph de Cupertin Flying over the Olive Trees, 1981
Painted wood; 46 cm in height
Hvar/Split

The Glorious Tree, 1981
Gilded wood; 47.5 x 23 x 21 cm
Hvar/Split

Decoration, 1981
Plaster and glass 30 cm in height
Hvar/Zagreb?

Simple sculpture, 1981
Polyester in colour; about 30 cm in height
Hvar/Zagreb, Contemporary Art Museum

Lenten, 1981
Painted wood, about 35 cm high
Hvar/Slovenj Gradec, Slovenia

A Sack full of Lies, 1981
Gilded wood; 33.5 x 16.5 x 15 cm
Hvar/Split

Travel Notes, 1981
Baked clay; 22 x 29.5 x 19.5 cm
Split/Split

The Sixth Station, 1981
Bleached baked clay; 28.5 x 27.5 x 18 cm
Split/Split

The Fourteenth Station, 1981
Semi-baked clay, 22.5 cm in height
Split/Hvar

Little Portrait of my Son Vinko I, 1981
Baked clay, about 15 cm high
Hvar/Split

The End of June, 1981
Polyester; 32 cm in height
Hvar/Split

Detail from a Picture, 1981
Gilded wood; 35 x 20 x 15 cm
Split/Split

Reading Eugenio Montale, 1981
Painted wood and copper, 35 cm in height
Hvar/Zagreb, owned by Milan Bešlić

Outing, 1981/1982
Plaster; 27 x 24.5 x 21 cm
Hvar/Split

1982

The Passion of St. Lucy, 1981/1982
Glass and plaster, about 20 cm high
Hvar/Split

The Life of St. Francis of Assisi, 1982
Stained glass; 19 x 21.5 x 12 cm
Murano – Venice (Italy, Vetreria Aldo Nason)/Zagreb, Modern Gallery

Alluvian, 1982
Stained glass; 20.5 cm in height
Murano – Venice (Italy, Vetreria Aldo Nason)/Split. Owned by B. Roglić

Summer 1957, 1982
Glass; 15.5 x 23 x 13 cm
Murano – Venice (Italy, Vetreria Aldo Nason)/Zagreb, Arts and Crafts
Museum (on loan)

Morning Scene, 1982
Glass, about 25 cm high
Murano – Venice (Italy, Vetreria Aldo Nason)/Lost in Slovenia

The Oldest Fish, 1982
Coloured stained glass, about 25 cm high
Murano – Venice (Italy, Vetreria Aldo Nason)/Lost in Slovenia

Venice, 1982
Glass, about 20 cm high
Murano – Venice (Italy, Vetreria Aldo Nason)/Lost in Slovenia

He went to the shore of the Lake every day I., 1982
Stained glass; 10 cm in height
Murano – Venice (Italy, Vetreria Aldo Nason)/Zadar, Art Gallery

He went to the shore of the Lake every day, 1982
Dyed baked clay; 22 cm in height
Split/Dubrovnik, Art Gallery

1983

Bethsaida, 1983
Painted wood; 28 cm in height
Hvar/Rijeka, Modern Gallery

Hagiographic Note, 1983
Painted wood; 28.5 cm in height
Hvar/Rijeka, Modern Gallery

Hagiographic Note, 1983
Baked clay; 26.5 cm in height
Split/Split

The Melancholy of St. Thomas the Apostle, 1983
Baked clay and wood, about 33 cm high
Split/Split

The Mirage, 1983
Baked clay; 36 cm in height
Split/Gornja Stubica, Museum of the Peasants’ Revolt

Thanks to the Benedictines, 1983
Painted wood; 31 x 25 x 21.5 cm
Hvar/Split

Description of the Beginnings of Croatian Sculpture, 1983
Painted wood and cotton; 56 x 31.5 x 29 cm
Hvar/Split

From the Chapter “Cuttlebones”, 1983
Plaster and glass; 33 x 30 x 15 cm
Hvar/Split

The Fifth Day after Entering the City, 1983
Scorched wood; 24.5 x 52.5 x 25.5 cm
Hvar/Split

Fragment of Life, 1983
Scorched wood and paper 40 cm high
Hvar/Zagreb, owned by Branko Roglić

Inexpressible past, 1983
Bronze; 15.5 cm in height
Plateville (USA)/Split

Who has ears, let him…, 1983
Baked clay and paint (relief ), 25 x 18 cm
Split/not preserved

Travel Note, 1983
Painted, baked clay (relief ); about 25 x 15 cm
Split/not preserved

1985

“The Evangelist Mark in his brief account of Jesus’ time in the desert mentions time spent with wild beasts and angels and His resistance of Satan”, 1985
Polystyrene and sand; 100 x 90 x 60 cm
Split (studio in Vukovarska Street)/Split

Against the Tower of Babel, 1985
Earth on polystyrene, wood and cellophane; 200 cm in height
Split (studio in Vukovarska Street)/not preserved

The Bed of St. Pelegrin, 1985
Polystyrene, plaster and paint; 60 x 100 x 40 cm
Split (studio in Vukovarska Street)/not preserved

The Soul of the House, 1985
Polystyrene, plaster and paint; 43 cm in height
Split (studio in Vukovarska Street)/Split

For the body, 1985
Wood and paint; 89 x 54 x 40 cm
Split (studio inVukovarska Street)/Zagreb, Modern Gallery

1986

Little Portrait of my Son Vinko, II, 1986
Plaster, about 20 cm high
Hvar/Split

Little Portrait of my Daughter, Petra, 1986
Plaster, about 15 cm high
Hvar/Split

1987

Wind from the North, 1987
Painted wood; 36 x 26 x 16 cm
Split (studio in Vukovarska Street)/Split

1988

Velegorko, 1988
Wood, iron and paint; 106 x 36 x 65 cm
Split/Zagreb, Modern Gallery

Čakavica in Sculpture, 1988
Painted wood; 110 x 40 x 30 cm
Split/Zagreb, private owner

1989

On Parting, 1989
Bleached wood, about 45 cm high
Split/Hvar

Homage to Blaž Jurjev of Trogir, 1989
Wood and paint (free standing relief ); c. 80 x 10 x 120 cm
Split/Split

1990

Preserved fragment, 1990
Stone „Bihacit“; 40 x 36 x 23 cm
Split/Split

Inspiration in Trogir, 1990
Stone and lead, about 50 cm high
Hvar/Split

1991

Wartime, 1991.
Bronze, about 30 x 25 x 25 cm
Split/Zagreb

1992

The Beginning and the End, 1992
Painted wood, about 55 cm high
Split/Slavonski Brod, Ružić Gallery

1993

Happy Holidays, 1993
Painted wood, about 60 cm high
Split/Split, owned by Emil Šverko

1999

Wreck of an unknown Statue
Painted wood; 33 x 105 x 44 cm

2000

„SALVE ARBOR REFUGII“ (Hail! Tree of Refuge!), 2000
Wood, about 140 x 165 x 255 cm
Split (studio in Sinjska Street 7)/Split, Art Gallery (on loan)

„LUX ECCE SURGIT AUREA“ (“Look! The golden light is coming out”), 2000
Gilded wood; 104 x 82 x 73 cm
Split (studio in Sinjska Street 7)/Split

„O VIR INVICTE!“ („O Unbreakable Hero!“), 2000
Plaster and polystyrene; 90 x 50 x 160 cm
Split (studio in Sinjska Street 7)/Split

„AURORA IAM SPARGIT POLUM“ (“See, dawn is sprinkling the sky with glory”), 2000
Painted sand on wood (relief ); 102 x 154.5 cm
Split (studio in Sinjska Street 7)/Zagreb, private owner

“And now for all of eternity”, 2000
Plaster (relief ), 190 cm
Split (studio in Sinjska Street 7)/Split

The Ark We Sailed In, 2000
Scorched wood, metal nails; 81 x 217 x 50.5 cm
Split (studio in Sinjska Street 7)/Split

From the catacombs, 2000
Bleached wood (relief ); 113 x 142 x 7.5 cm
Split (studio in Sinjska Street 7)/Zagreb, private owner

2008.

Memory (Terrace), 2008
Combined factures; c. 100 x 70 cm
Zagreb/Zagreb, owned by Milan Bešlić

2009.

Pilgrimage to the Holy Land, 2009
Earth on polystyrene; 119 x 115 x 16 cm
Solin (studio in Kučine)/Split

Sunset in the Bay of the Croatian Saints, 2009
Bronze, about 76 x 63 x 49 cm
Solin (studio in Kučine)/Split

Large Reliquary of Victory, 2009
Wood, aluminium, metal, polystyrene; about 200 cm high
Solin (studio in Kučine)/Split

Miracle in the Beehive, 13th Century, 2009
Wood and beeswax; c. 80 x 40 x 90 cm
Solin (studio in Kučine)/Split

On a Croatian Beach, 6th century, 2009
Encaustica on wood and aluminium (relief ); 115.5 x 165 x 6 cm
Solin (studio in Kučine)/Split

Island, 2009
Wood, paint, tin, and nails (relief ); 131.5 x 166 x 6 cm
Solin (studio in Kučine)/Split

The Glory of Angels, 2009
Gilded polystyrene (relief ); about 200 x 150 cm
Solin (studio in Kučine)/Split

2011

Forgotten sculpture, 2011
Prilep marble; 53.5 x 43.5 x 41 cm
Solin (studio in Kučine)/Split

2012

Mother’s Day, 2012
Paraffin wax on plexiglas and paint (relief ), 100 x 96 cm
Solin (studio in Kučine)/Split

Initial, 2012
Wood, earth and paint (relief ), 100 x 120 cm
Solin (studio in Kučine)/Split

The Church of the Sea, 2012
Bronze; 60 cm
Solin (studio in Kučine)/Split